softroot:

maariamph:

You’ve come to the wrong neighborhood, sucka!

Aaaaaaa cool!

shmegeh:

I found this card at the pharmacy today and it was good.

thesexiestoffenders:

bl00d-sugar:

I FOUND A TUTORIAL ON HOW TO MAKE DILDO POPSICLES IM LEGITIMATELy DYING OF LAUGHTER RN

I’m going to do this now. SUMMER WILL NEVER LOOK SO GOOD LOL

~Sticky

calantheandthenightingale:

deniisu:

shittinghorses:

thisismyoneroomdisco:

adventurerscelebrationgathering:

Tell ‘em. 

I dedicate this little number to all those who like to say Disney princesses are nothing but passive, submissive, and horrible role models. 

Bless this post.

thank you so fucking much

I’m sorry, but… these are all from 1990’s or later, when Disney actually made an effort to made the princesses more proactive.

The ones who are really criticized are the pre-Little Mermaid ones!

I’m not sure whether it’s even fair to criticize the pre-Little Mermaid ones.  All the princesses are representative of the times when they were created; Snow White was the ideal young woman of the late 1930s, so judging her the way we would judge a woman from 2013 just isn’t fair— she’s not a “modern” woman so you can’t judge her as a modern woman.  Not only that, though, Snow White and the Seven Dwarfs was basically a giant experiment in animation.  No one had ever attempted a feature-length animated film before, so there was no earlier standard to judge it and its characters against (and remember that animation has always been viewed differently and with different expectations than life-action).  That film was a huge gamble, and the studio was still trying to figure out just how much they could do with animation as a medium; so, to a certain extent, the main focus was really on the art and animation, and not on developing the characters (seriously, all the characters in the film have one main personality trait, so it’s not just Snow White who’s screwed over). 

The same is really true for Sleeping Beauty.  Walt recognized that the story was going to share a lot in common with past princess films, so the main goal was to make the film different from Snow White and Cinderella— and they did manage to differentiate it through its art style and musical score.  Also, the focus isn’t really on Aurora, so Sleeping Beauty is the only princess film where the princess isn’t the main focus; the artwork is the intended focus.  Sleeping Beauty is the film that was meant to be a “moving tapestry” like Walt always wanted. 

And are we really going to fault Cinderella for not being proactive when she’s constantly abused by her own family?  After years of psychological torture, do you really expect her to be proactive?  She lost both parents and was virtually imprisoned by her stepmother; the fact that she’s still sane, kindhearted, and industrious after all she’s been through seems to speak to a very strong character if you ask me :\

thebetakids:

HEY YOU!!! REMINDER THAT

• SOMEONE OUT THERE THINKS OF YOU WITH ALL THE LOVE IN THE WORLD
• THERE ARE PLENTY OF THINGS YOU ARE GOOD AT EVEN IF IT’S JUST TYING KNOTS OR MAKING PAPER AIRPLANES
• YOU’RE STILL ALIVE AND THAT’S SOMETHING TO BE PROUD OF
• THERE ARE A MILLION FUTURES AND THEY CAN ALL BE YOURS
• SOMEONE MOST LIKELY LOOKS UP TO YOU A WHOLE LOT
• YOU ARE MORE THAN A GRADE
• YOU HAVE A VOICE
• YOU HAVE A VOICE

stand up for yourself because you are fantastic and deserve only the best!!!

atlinmerrick:

laybackthinkofengland:

ivyblossom:

“Actually, do you know what, ignore me.”

John. John Watson. He just killed a man to save me from myself. Who does that? God.

Look at him: he’s not like an ordinary man. He just shot someone and he’s perfectly fine. Not a hair out of place. He’s just standing there with those nerves of steel, those steady hands, he’s playing innocent, standing on the other side of the tape like he’s uninvolved. He thinks I won’t figure it out, he thinks I won’t know. He’s not ashamed of it or proud of himself; he just did what he thought was right. He didn’t even do it to impress me; he’s not trying to make a point, he’s not demonstrating his usefulness to me. He’s not going to hold it over my head, either. Is he. He found his way here just to protect me. Gratis. As if that’s completely natural.

Natural for him, maybe. Yes. Completely natural for him. My hidden jewel: John Watson. How could I have been so blind? 

I would be dead by now without him. I chose the wrong pill. I was wrong twice tonight. A true failure of an evening, by all accounts: two massive failures of observation, more if you count the details. It doesn’t matter: we’re both still here. Second chance: I’m paying attention to you now, John Watson. I see it all in you now.

He came after me, even after I told him I was married to my work. Even after I left him and ran off on my own, twice. I wonder if there’s a way to revisit that conversation, hmm. Not really an area in which I have any real expertise. Is that what he wants? How does one go about doing that?

I thought he was ordinary. I didn’t know what I was dealing with. Unfair! He was hiding in plain sight. He thinks of himself as ordinary, so he appears to be ordinary. To the naked eye, at least. But he’s not. Most definitely not. His hands aren’t even shaking, not even now. Look at that.

Oh, I’m keeping him.

Perfect.

Perfect squared.

<3

overomega:

darkoverord:

ampvee:

gameplate:

Minecraft comic series by 

Alexander Diochon

This is a really cool take on how Minecraft would work ‘realistically’. Love it!

Hooooooooooooooooooooly fuck that’s awesome.

Literally the best interpretation of Minecraft I have ever seen I really want more.

lesmoules:

Blaming Kie mostly because this and all the other awesome makes me want to draw more stuff with molly hgngh Ireallyreallywanthemtobecloserfriendsscreechhh

I would LOVE for this to be canon. Molly calling Sherlock on his shit XD

luz-sonriente:

Siren Song series by Victor Nizovtsev